Chapter Sixty Four: Moving Pictures
Love looks not with the eyes,
but with the mind:
And therefore wing'd Cupid painted blind.
Nor hath love's blind of
any judgment taste;
Wings and no eyes figure
unheedy haste: And therefore
is love said to be a child,
Because in choice he is so oft beguil'd.
William Shakespeare,
A Midsummer Night's Dream.
JjJ
There seems to be something wrong.
It blurs the clue. Deliberately.
Hiding. Threading.
The frames do not sync.
It was an anomaly, obviously.
And the light covers the frame.
The pixels further gratify the color.
Although red was shining through.
In his clear desperation, he was baited.
The angel continued, but there is a pause.
It was abrupt, but necessary.
The overflowing light blinds the truth.
And nothing else to be seen.
The eyes succumbed to physiology.
In weakness, in carnage.
Yet again. Even in imagination.
Reality bites, and gone.
Before its over.
The cinematographer moves his angle.
And a new perspective emerges.
It lacks focus at first, and then. Results.
The picture moves, and life ensues.
In a role within eternity, life becomes poignant.
Ignorant.
And in the appreciation of the service of lies,
The film becomes a vehicle of mistrust.
The character seemingly believe,
That his role is definite.
Real. Undetestable.
But he cannot clearly see.
That reality is distinctly different!
From what the senses can feel.
That the imagined becomes true,
While the allure of fantasy fails.
Then,
Life becomes an endless coercion of role.
Slavery. Obligatory call of the world.
Of nothing but worldly experiences
Enclosed. Superfluous.
And all the falsehoods
And the enumeration of the temporal
Then existence becomes suddenly
An infinite suffering
But by the same art direction of the film.
But while life is decorated,
The set fails in comparison
To the script, to the context.
Then the whole production collapses.
Either the cinematography fails to shoot
Or miss capturing the essence of the lines!
Neither the director had a clue
In the screenplay, he interprets
While the story unfolds, the actor looks dumb.
Failing to see the essence of the voice
As the actors recite their memorized lines,
As if capable--yet, incompetent!
And nothing else. Nothing more.
It becomes a moment of routine
Boring, unappealing, predictable
All the fantasy tropes combined.
And while these subtle messages fail
It moves on, dragging. Slowly.
Because the medium itself was weak
And the story wasn't liked.
Humans themselves have capacity to think!
In the glorious presence
Of the endless opportunity
The lines begin to penetrate
As the heart succumbs, so are we.
The tears suddenly fall from the eyes!
A billion tears. Maybe even more.
In silence the script unfolds!
Then life becomes as it is--moving pictures
Celebratory! The achievement of the many
Triumphs of the human condition!
It unfolds, the actor finally realizes his role
Too late, but suffices.
And then the script becomes familiar
The clue to his humanity unlocked.
Totally oblivious to the fact,
However it came to be.
That art defines the human qualities
And expression must be truly artistic
Authentic, original
Professional, yet understanding
In its interpretation of the world
A moment of love.
As the actors see the spotlight
Then he certainly knew
That life is a crucial performance,
And the world is indeed a stage.
A big, frightening stage!
Where roles are undefined,
And the audition is fully selective.
Unfair. Unforgiving.
A game of trial and error.
The lost souls and biased disposition
Limits his scope, delimitations.
But:
Many dreams revolve around
Love, laughter, of comedy abound!
Yet:
A complete tragedy of substance
And the price of the shooting lenses
Of the moving Camera.
It was the Devil who saw the clue!
It is time itself! The clock.
The moment is now, and the illusion
Simply do not last
Between
the Frames
Between the light and sound.
And within all of the realization
To be found embedded in the clue
A reel of film. Of course.
However:
The message is somewhat lost
The lines are forgetten again. Clearly!
An abandonment of duty.
And the world's true essence
Vanishes
And then everyone
Suffers
In their imagination
In fact and circumstances
Involuntary admission
Mostly of them,
They are rotten to the core!
x-----------x
This Chapter is sponsored by Emporio Armani.
.jpeg)


Comments
Post a Comment