Chapter Eighteen: The Circle

There were three major propositions that was made by the founding partners of the Playwriting and Associated Dramatists Foundation, which relates to the evidentiary matter that attempted to explain the major motivations of Playwriting, contained in an instrument required by the Office of Literary Endeavors to be furnished on behalf of the Association's intended major business and deals related to the newly organized foundation.

The three propositions that were written in all related disclosures were identified to be the noblest guiding philosophy of what the original foundation wanted to achieve, and these were enunerated in the most eloquent use of any language possible, in such medium contained to declare a profound justification of its existence in a cryptic, but intelligent manner.

The propositions were carefully scribed as follows:

1. To propose in many ways possible the jubilant nature of artistic expression, measured in terms of Linusants, and recover the lost sense of humanistic determination, in all endeavors that will require the foretelling of future occurence of an event or happening;
2. To suppress the use of the dangerous rhetoric that may come as a result of the clever usage of the Linusants;
3. Deny the abuse of the Agreements with the corresponding meeting of the minds by the solemn duty of a Reader to unlock its related propensity to come true, wise and noble, and nothing more.

Otherwise known as The Circle, the original copy of the instrument containing the disclosures were lost from the records of the Literary Committee when it was conquered during the last days, when everything literary-related was subsequently banned from the Renaissance Society. The Circle was lost, but the last Agreement to have been made before the Literary Committee itself that was lost to oblivion is, in fact, confirmed to have been made efficaciously.

These lost propositions were recovered from a land somewhere using a map that pointed to a place where it was buried underground, contained in a gold-plated treasure box. Some people's belief is that the parchment containing the three propositions were a clue in itself as to where to find the most elusive solution to the proliferation of the dangerous rhetoric, as it was formulated in its documented original escape from The Autocephalous Order.

The release of these creatures and the accompanying danger of the rhetoric that was present from said infamous escape has been, truly, a source of a state of bewilderment. No other writer could have known the literary effects related to the creatures in an exact artistic form, and how it was corrupted by the dangerous rhetoric, albeit the medium that could have made this state possible seems dubious to be certain in the integrity of the propositions discovered.

This writing offers no other clue as to ascertain with finality the historicity of any document that could settle this issue once and for all, but The Circle makes complete sense as to the topics it attempted to explain therein, as well as the corresponding allegations made to the three enumerated proposed sentences claiming its foundational role of the noblest of purposes.

At this point, nothing is absolutely true. In a period of time travelling where most segments result mainly to unintended time wasps, anything that can materialize out of thin air is possible. The truth could easily become inherently false, or vice versa.

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