Chapter: Forty Six: A Film About A Sturdy Tree

Trees are sanctuaries. Whoever knows

how to speak to them, whoever knows how

to listen to them, can learn the truth.

Herman Hesse

The clearest way into the Universe

is through a forest wilderness.

John Muir

It is not so much for its beauty that the

forest makes a claim upon men's hearts,

as for that subtle something, that quality

of air that emanation from old trees, that so

wonderfully changes and renews a weary spirit.

Robert Louis Stevenson

There was a film about a legend that creates a controversy about the hallowed grounds surrounding a sturdy oak tree, where it was held that a certain community of Elves lived around and under it. The inhabitants are said to have thrived in an underground ecosystem where three magical properties are known to have existed: the Magic of Christmas, the Universal Theorem of Love, and the Magical Forestry.

These three magical types of material grounding presupposes all notions that have been known, discovered, and written about these diverse fields, although many evidence suggests that the variety of literature that has been narrated in the movie being studied was varied, and the conflict was mainly focused on the inconsistencies in the pursuit of such magical powers.

However, there was an archival problem that left this particular film undecipherable despite diligent efforts to have it forcibly restored. Whilst the film itself was deliberately destroyed up to a certain extent, there were negatives that had been recovered in relation to the production of this mysterious movie. There was a copy of the screenplay that has been retrieved from the library of files, but it was a copy of the working manuscript that contains many edits, and it was unclear to the investigators (Records Officer) which of the said changes have made it through to the final draft.

The said script was full of dark insinuations, a bloody war, explicit scenes of violence from mythical creatures like Vampires and weird genus of Dragons, as well as an army of Angels battling all forces who identify to the corrupted state of the Occult.

It seems as though that this particular screenplay is a breakthrough of its own, and for a while, it attracted significant attention from the higher ranks of the Society because of its links to an array of confidential narration about the nature of Christmas that, on first glance, seems odd and pertains to total falsehoods. Although there was significant interest to explore the said thesis, it was decided later on that there was no immediacy from a controversy that has been acted upon to any efforts to develop the subject matter any further.

The movie seemed to be legitimately filmed upon close examination; however, it was easily declared to be a nuisance by the five competent Records Officers who independently studied the said materials, "for lack of credible screen credits and writing claims that pertains to the copyright to establish responsibility for the drastic claims of repressed subjects that are dangerously explored therein."

The case of that movie was eventually closed.

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This Chapter is sponsored by Fendi.