Chapter Thirty Three: Optical Textile

Humanity has dehumanized itself and now

sees itself in purely machine terms . . . 

from which terrible consequences

are flowing. Humanity progressively sees

itself in machinelike terms in the belief

that this would solve all of our problems,

but, in fact, it has simply made them worse.

Mike Hockney,

The War of the Ghosts and Machines

The light, as curious as it is and as much as it is celebrated, is an electromagnetic radiation that can be perceived by the naked eye, completely mysterious as a subject matter, and which requires a certain form of devotion to the study of its main properties. This same light that is produced within the projector swords themselves lend itself into the intricate mechanisms that is produced from the camera sticks, together with the main source of these lights, as it is used by the Society and the Legendary Spies.

In fact, this light has its own intricate elements for being sourced from a different optical perspective, mainly from the powers of the stories or moments made into a film that is captured by the roll of negatives, although it still exists as a form of electromagnetic radiation (with no noted substantial change) as it is permitted by known physical laws that defines the discipline of Optics.

The most crucial part or element of this light is the outer shell produced from its main origin of emission; this special light is enclosed and covered by a certain form of outer covering called the optical textile (which is now renamed as encapsulated design) from where it borrows the power gathered when that weapon strikes any solid or fluid matter (both organic or inorganic) as long as it made contact with the encasulated design at any point.

It is due to the rearrangement of atoms that create this particular form of textile by solely engaging in the investigation of the umique radiation from the camera stick and into the projector sword; and as tough as the composition of known metals before it, its delicate behavior is carefully radiated into space that then ultimately pierces the uncertainty of darkness. The Legendary Spies are fully educated to the importance of this scientific inquiry into the class of their own weapons, and there is strict coordination in case such weapons malfunctions or fail to fully materialize to the calling of its intended purpose.

But the most important knowledge that can be gathered from this unique textile or outer covering of the projector swords has been correlated to the efficacious use of the camera sticks, albeit a much conclusive causation is widely desired. The loopholes covering the entire mechanism of these weaponry are studied into a much greater extent, as the Society looks up to strengthen its ability to completely defend its Oath of Duty in protecting the Actors from any deceitful form of influence coming from the many forms of exploitation of urban legends.

And these legends are equated to monsters.

It is due to the influence of these monsters that they need to be defeated all the time; yet, cruelty is never tolerated within the ranks of the organization. The Society have all the cardinal rules of war it must strive to uphold from the core nature of life, and the presence of the qualities of humanity is considered to be rather a form of effective defense, and not of an embarassing weakness that subtracts from its absolute worth.

The materials from which this desired weaponry (especially those forming the encapsulated designs) is a subject of an eternal pursuit that will later on reveal itself to be very useful, only to be exploited by the Dark Angel, Lucifer the Devil, by allowing his darkness to be completely enveloped in a similar way using the same form of optical textile.

The Society itself was founded from an extremely false pretense, and the skins that the Sinister Agents may use to delve deeper into influencing the minds of the Actors, a manipulation by using the pliable attributes embodying the several characteristics of the urban legends, which then allows the monsters to be empowered with the same outer shell of that same powerful textile, too.

However, the Angels already arrived (in this particular time segment) while Lucifer the Devil is busy orchestrating this horrible show. It is similar to a game of chess at this point, and everybody is preoccupied in using their pawns to preposition the playing pieces of the chessboard into their own significant advantage.

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