Chapter Sixteen: For What It's Worth

Does life really have its intended purpose? Does living a life of suffering really contain in itself a value of some sort? 

The impossible bond has already been explained, but it will not suffice. It needs further clarification.

Playwriting, among many other artistic endeavors, discusses on its own the several virtues worthy of emulation, as well as the cunning ways of deception and selfish ends done under the guise of artistic expression, which makes it totally cognizant of what happens in real life. It does not need to be informed of the present condition by narrating the past and into the hope of the future, for, in itself, it contains the elements of all the derived meanings to be gleaned from then on.

A play in the form of an Agreement (usually subdivided into Acts I and II) is a form of creative manipulation of a desired outcome, which may further affect those circumstances that are commanded by the energy of destiny, in such a way that Playwriting becomes an opposite discipline that might affect the prescribed kinetics of a predestined outcome.

Which is exactly why these Agreements are to be scrutinized very carefully as it freely plays with the fact that the impossible bonds from which most objects and organic matter are commanded to obey are inadvertently affected by the efficacious physical arrangement of the circumstances, as well as the effect in life.

The resulting friction from these opposing forces are what causes suffering and agony.

The dynamics of the play, then, forms a certain substance similar to a magnetic field released through the kinetic conservation of energy relative to the unseen impetus of dreams and other actions that contribute thereto. This same force is the exact mechanism that is present in the projector swords that make it work; that is what makes it so effective as a weapon in any form of combat and defensive action.

This has been the main target of most Playwrights who are now in hiding because of their subsequent condemnation by the Supreme See of Old, as recommended by the Presidium of the Literary Committee, and the Titular Bishop of Literature, when their powers were inconveniently withdrawn from them as their manipulative tendencies have been found to be present in the resulting verdict of the jury of their peers, in all the trials conducted for their gross misdemeanor.

But retribution would be an utter understatement, because now that their powers have been revealed to be supreme among the many others within the Empire, it is decided by these Playwrights to cooperate with the others (outside of the Literary movement, and to whatever it takes) in accumulating power to rebuild the broken Imperial Synod, and institute themselves as the See of Rightfulness to eventually consecrate themselves as a Congregation in their own right, mainly for the "salvation of the Empire from suffering and misery."

Lucifer found it to be an extremely good idea, and he was quick to join their causes. Anything that will lead to the destruction of the power of these pestering projectors would be greatly appreciated.

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