Chapter Five: Reels

Are movies real, true, existential, relevant, and morally irreprensible? Do they carry an important message to awaken a dream, or to never lose hope, or to stand up to life's difficult choices? Can they be a medium of love that can be felt by the select few, but not by all in a society full of hypocrisy? Do films have the ability to speak to people directly, yet confidential, and almost a secret from the other side?

These questions shroud the very existence of the camera sticks, especially the functioning of the projector swords in a very capable way, in addition to the added mystery of the extrasensory perception that allows the Legendary Spies and the Diaspora to see the vile presence of rancid monsters.

Yet, these questions were never addressed. Not a single one of them has become a problem to be solved. Nobody in the Most Gallant Society has ever made a conscious effort to find solutions to the existential queries, both past and present, to be able to define the scope and limitations of the problem to be stated, or simply vanish from the complexities of a deep thought, and the impeccable underpinnings of a great theoretical understanding.

It must have been pretty surprising for anyone to be introduced to the camera sticks without anyone asking questions, especially those that pertain to the curious mechanism involved in its quality, as well as to all value associated to its manufacture. Something cannot subsist without anybody inquiring about its worth or the scarcity of its benefits. There must have been someone who was naturally curious to pursue the research question.

Apparently, these questions have been shrugged off by the intensity of the reality of its use, rather than wanting to breakdown its elements and wonder where it all started to exist. This is the same mystery that happens in real life. Many people are enjoying the comforts of joy and the perks of being alive, but nobody is asking questions about the very root of existence. It is as if the business of life, especially its indescribable origins, is nothing of importance to the many who benefit in thriving in this life, but does not know any idea by the metaphysical substance of his existence.

But antiquity indeed inquired about the many things involved about the nature of life, but not as much as it inquired about the thoughts relating to the state, politics, the essence of justice, democracy, and philosophical dynamics of society that keeps us alive. The external environment became the focal point of inquiries, exegesis, eisegesis, and the many commentaries and critics of these ideas that has been recycled, retold, and plagiarized by ancient and modern scholars alike.

So then it begs the same question, on wanting to philosophically debate the presence of the projector swords. An account made by observing life is as important as battling the nemesis of life, to defend the truth in the face of hate, and to eventually destroy the enemy of existing, and by that it means the same manner of destroying of an indistructible soul.

A soul is like a light within a physical body; a light that wishes to come out and be shared for everyone to comprehend and see. Some people call this light "love," because it illuminates the path for the good, and vanquish the darkness. Others call this light simply as the Massachu.

Whatever this light is wanting to be called, a singular truth still remains. These projector swords needed this same light in order to be useful. The source of power has always been the light, and the warmth it radiates sustain the foundations of the enjoyment of life.

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